Post Exhibition

Thanks to all those that made it along to the opening.
I had a great night.
For those who couldn't make it, there are still a few works left.

11 Days.  $120

JULY 2012 420x295mm Water colour on 200gsm paper 

CLICK HERE TO PURCHASE

A Clear Mandate of One (2).  $120

JULY 2012 420x295mm Water colour on 200gsm paper 

CLICK HERE TO PURCHASE 

I Have a Mandate.  $120
JULY 2012 420x295mm Water colour on 200gsm paper 
CLICK HERETO PURCHASE 

I Can't Remember Again.  $120

JULY 2012 420x295mm Water colour on 200gsm paper

CLICK HERETO PURCHASE 

 

Squaring the Circle.  $120
JULY 2012 420x295mm Water colour on 200gsm paper
CLICK HERE TO PURCHASE

 

Opening Night

Thanks to all those that made it along to the opening... It was a great night.
You can watch a time lapse film of the night, CLICK HERE

Coming soon...

V48hr Film makers celebrate!

Team ADHDMI celebrating the success of their film BROTHERS in the 
grand final, Civic Theatre

Best Art Direction, Sexiest Looking Film and Best Original Score

I was happy to been seen with these animals after I was awarded Best Original Score at the NZ final!!

You can view the film HERE. Turn it up LOUD.

New exhibition

Here is a new work for my up and coming exhibition at Monster Valley Studio. (Opening night Thurs 19 July)
All works $100 and under!

STRUCTURES (At the Wallace Trust Gallery)

7 March 2012 to 27 April 2012, Long Gallery

'Structures is an exhibition of works, from the Wallace Arts Trust’s collection, that speak of architectural concerns either through form or content. The selection on display encompasses a wide range of styles from the mid-20th Century to the contemporary.

Several observations about contemporary art can be realized upon visiting this exhibition. One being that there has been a revival of drawing and particularly watercolour by contemporary practitioners. These mediums are not used as in past practice - as simply studies in the aim of producing large grand oil paintings. Contemporary artists with drawings and watercolours on display (such as Simon Esling, Robert Sly and Rachel Wells) provide the affirmation that these mediums are just as vital as oil on canvas. Another observation is that sculpture is still very diverse as an art form, particularly notable in the use and choice of media. This, like the use of watercolour today, is also a challenge of the art-historical hierarchy.'

Click HERE to read full exhibition info

The Rational Optimist

The Lobby Jan 2012


Invisible Hand - dec 2011